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Recently, I wrote about how to use special characters to identify languages that use Latin alphabets. But what about all those other alphabets? You can't be expected to memorize them all, of course.

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Welcome to the home for writers. We talk about important matters for writers, news affecting writers, and the finer aspects of the writing craft. Please keep these guidelines in mind for all of your posts and comments.

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So I was writing a short novel… And 50 pages flew easily from my head to the pen. The main characters and the supporting characters, the mood of the story, the backgrounds, the conflicts were all easily defined in my head. They were sisters and brothers, twins, couples who met extraordinary situations.

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It was also completely exhausting, requiring nonstop eloquence and enthusiasm about a difficult topic my own rape —and all this while jet-lagged, surrounded by translators. It was simultaneously exhilarating and lonely, yet also the kind of publicity platform any ambitious novelist would love to have. But throughout most of this, a question popped up, the inverse of a more familiar one: Would my Korean publishers have done this if I were white?

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Calligraphy, or the art of writing, was the visual art form prized above all others in traditional China. The genres of painting and calligraphy emerged simultaneously, sharing identical tools—namely, brush and ink. Yet calligraphy was revered as a fine art long before painting ; indeed, it was not until the Song dynastywhen painting became closely allied with calligraphy in aim, form, and technique, that painting shed its status as mere craft and joined the higher ranks of the fine arts

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I could give you plenty from personal experience, but her search to understand this issue got me thinking elsewhere. Microaggressions are definitely a topic to talk about, and I will, someday soon. There are many other people that lay it out so much more clearly than I ever could, so I will let them.

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Diversity is a buzzword we all may at some point encounter. My published stories or novels have a mixture of different cultures and it is something that I grew up and am familiar with because I was born and raised trilingual in an urban environment in Johor Bahru, the industrial southern city of Malaysia. To me it is more normal and natural that everybody is unique and different than everybody looking and acting the same, eating the same food, going to the same places, speaking the same language.

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I am delighted that you are including an Asian American character in your book, without hyphens and everything, too. You have my word that I will delve into your book, confident that you've done your best to be respectful, thoughtful, and diligent about your portrayal of Asian Americans and our varied experiences. For example, in crafting your characters, I know you have kept in mind the factors that have ravaged the Asian American psyche, little things, like the discriminatory laws that prohibited the immigration of Chinese laborers to the US as recently as the sixties, while not limiting the immigration of other races. If you wonder whether the ghosts of legalized racial discrimination still linger, I direct your attention to our current presidential candidates, some of whom are still ridiculing and badmouthing us.

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It occupies the eastern four-fifths of the giant Eurasian landmass. Asia is more a geographic term than a homogeneous continent, and the use of the term to describe such a vast area always carries the potential of obscuring the enormous diversity among the regions it encompasses. In addition, the peoples of Asia have established the broadest variety of human adaptation found on any of the continents.

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Chinese characters are one of the most distinctive artifacts of Oriental culture. Originally developed to write the Chinese language, they were later adopted by the neighbouring Japanese, Koreans, and Vietnamese for the writing of their own languages. The use of Chinese characters stood as a visible symbol of the dominance of Chinese culture in East Asia.

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