Louvre national gallery leonardo virgin of the rocks

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This painting is in the National Gallery London and is one of two versions of this picture which have the same name and similar composition but with several differences in the detail. The earliest version of the two paintings is in the Louvre, Paris and has been transferred to the canvas, whereas this painting is on the original wooden panel. The composition shows a grouping of four figures, the Virgin Mary, the Christ child, the infant John the Baptist and an angel arranged into a triangular formation.

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It seems strange that in The Virgin of the Rocks we see two complete versions of a subject from an artist who failed to finish so many of his commissions. Both paintings are oil on panel but the Louvre version has been transferred to canvas. The painting may have suffered some damage during the transfer process but its condition is now stable.

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Some paintings are as mysterious as they are famous. Gazing at them is like diving into a deep dark sea. You never know what unsuspecting pearl your eyes might prise loose from their secretive lips — what key you might find that can unlock their power.

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Painted by Leonardo between and originally on wood, the painting was later transferred to canvas in by Francois-Toussaint Hacquin, a skilled master restorer. With this painting Leonardo was the first in Italy to experiment with oil paint, although in Northern Europe artists had been using oil for some time. The Virgin of the Rocks Louvre was the first picture Leonardo painted in Milan, after his move there in

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The first work that Leonardo executed in Milan is the so-called Virgin of the Rocks, which actually expresses the theme of the Immaculate Conception, the dogma that affirms Mary was conceived without original sin. The name of the picture reflects an iconographical peculiarity: the religious figures are depicted in a rocky grotto, in which they are sitting on a stone floor. The figures are subjected to a strict spatial arrangement called a pyramidal composition.

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All kneel to adore the infant Christ, who in turn raises his hand to bless them. They are crowded in a grotto overhung with rocks and dense with vegetation. The painting was part of a large, elaborate altarpiece made for the church of San Francesco Grande, Milan to celebrate the Immaculate Conception of the Virgin Mary.

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The Virgin of the Rocks sometimes The Madonna of the Rocks is the name used for two Leonardo da Vinci's paintings, of the same subject, and of a composition which is identical except for two significant details. Both paintings show the Madonna and Christ Child with the infant John the Baptist and an angel, in a rocky setting which gives the paintings their usual name. The significant compositional differences are in the gaze and right hand of the angel.

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This version of the painting for the ancona a carved wooden altar with frames where paintings were inserted in the chapel of the Immacolata in the church of San Francesco Grande in Milan has distinctly sixteenth-century characteristics: larger figures, made more plastic by a very decided chiaroscuro so unlike Leonardo that scholars were immediately led to consider the work a collaboration. The canvas is generally considered the one that replaced the first version of the Virgin of the Rocks on the altar of the Immaculate Conception, after that version had been given to Louis XII. This version was then, inpurchased by the English collector Gavin Hamilton.

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Leonardo da Vinci always impressed on his students the importance of depicting nature accurately. Five centuries on, scientists and art historians are trying to work out to what extent Leonardo had a hand in both versions of Virgin of the Rocks — the one in the Louvre, in Paris, and the replica in the National Gallery in London. Doubts have long been cast over whether the Renaissance master made the London painting.

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